She found herself again in the presence of some element in life about which she had been trained not to think, about which she was perhaps instinctively indisposed to think; something which jarred, in spite of all her mental resistance, with all her preconceptions of a clean and courageous girl walking out from Morningside Park as one walks out of a cell into a free and spacious world. She had not at first the power for concealment. Melusine glanced at the walls as she sped down the four flights of stairs, and noted with relief that some paintings remained. “Lucy, where is your callous? All violinists have calluses on their necks and hands from playing. As it is, we've only a couple of ducks—and they were intended for you. I know nothing of that young lady. ‘You would like? And do you imagine that I will tell you?’ ‘Won’t you?’ ‘No, a thousand times. After all, she found herself reflecting, behind her aunt’s complacent visage there was a past as lurid as any one’s—not, of course, her aunt’s own personal past, which was apparently just that curate and almost incredibly jejune, but an ancestral past with all sorts of scandalous things in it: fire and slaughterings, exogamy, marriage by capture, corroborees, cannibalism! Ancestresses with perhaps dim anticipatory likenesses to her aunt, their hair less neatly done, no doubt, their manners and gestures as yet undisciplined, but still ancestresses in the direct line, must have danced through a brief and stirring life in the woady buff.
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