It wasn’t pretty. Every house-top, every window, every wall, every projection, had its occupants. I have pleaded with her—no wonder that I have pleaded with her in vain. She went from period to period exactly as she would have read prose; so that sense and music were equally balanced. The other buildings stood close together in rows; and so valuable was every inch of room accounted, that, in many cases, cellars, and even habitable apartments, were constructed in the solid masonry of the piers. Now, more and more, we’re going to be interested in them, to be curious about them and—quite mildly-experimental with them.
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