Yes. They don’t catch on to discursive interests, you see, because they are more serious, they are concentrated on the central reality of life, and a little impatient of its—its outer aspects. "At present under the care of his preserver—one Owen Wood, a carpenter, by whom he was brought up. He was astonished. There must be real Valjeans, else how could authors write about them? Supposing some day she met one of these astonishing creators, who could make one cry and laugh and forget, who could thrill one with love and anger and tenderness? Most of us have witnessed carnivals. Thames unfolded the drawing, smoothed out its creases, and beheld a portrait of himself. I mean that it doesn’t interest you in itself.
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