It reminded her of one of the old tales her mother Marina had told her about a sculptor named Farhat. The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. He passed his arm under that of the constable, and drew him aside. Annabel watched her with wide-open, terrified eyes.
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