The metrical irregularity is intentional, because I want, as it were, to put you apart: to change the lilt and the mood altogether when I speak of you. “There ought to be a Censorship of Books. Hetty, looking out of the window—she always smoked her after-breakfast cigarette at the window for the benefit of the less advanced section of Morningside Park society—and trying not to raise objections, saw Miss Stanley going down toward the shops. “Yes. ‘Come on. She turned the gas up in her little sitting-room, and sank wearily into an easy chair. ” Lucy would always press her face into her mother’s skirts when she heard the ending, no matter how many times she heard it. ” She led the way, talking all the time to Ennison. “Come on in. You truly are your mother’s, Lucia. Ann Veronica brought her luggage in a cab from the hotel; she tipped the hotel porter sixpence and overpaid the cabman eighteenpence, unpacked some of her books and possessions, and so made the room a little homelike, and then sat down in a by no means uncomfortable arm-chair before the fire.
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