Stanley was inclined to think the censorship should be extended to the supply of what he styled latter-day fiction; good wholesome stories were being ousted, he said, by “vicious, corrupting stuff” that “left a bad taste in the mouth. The third time she escaped she reached the inconsequent barricade of the overturned table. But the besetting evil of the place, and that which drew down the severest censures of the writers above-mentioned, was that this spot,—which of all others should have been most free from such intrusion—was made a public exhibition.
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