. . . ’ ‘I do not care any more about the portrait,’ Melusine said, opening the door to the attic corridor that gave off onto the row of little rooms that served as private cells for the senior nuns. . Abruptly he gripped her wrist. The man turned at the exclamation, and so did several of the bystanders; but they could not make out who had uttered it. I'll lay my life he's gone. I had consecrated my life to His Work; and I took the primrose path. .
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