The London backgrounds, in Bloomsbury and Marylebone, against which these people went to and fro, took on, by reason of their gray facades, their implacably respectable windows and window-blinds, their reiterated unmeaning iron railings, a stronger and stronger suggestion of the flavor of her father at his most obdurate phase, and of all that she felt herself fighting against. The devil is on top, not below. At length, he fell down on the road, fully expecting each moment would prove his last. Were I not Jonathan Wild, I'd be Jack Sheppard. I will do my utmost. .
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