"Why, first," rejoined Austin, "there's Sir James Thornhill, historical painter to his Majesty, and the greatest artist of the day. All through that brief but measureless space of time during which wonder kept him silent, as fear did her, she cowered there, a limp helpless object. ‘Aha,’ grunted Gerald with satisfaction, squinting up at the two open shutters on the second floor. ‘Tie a horse behind the carriage?’ he echoed incredulously.
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