works. A hush descended across the audience as instruments tuned, creating small ladders of fifths that collapsed abruptly, snatches of solos that disappeared and reappeared like gags in a house of mirrors. “Then why the devil,” he demanded, “do you let me stand you dinners and the opera—and why do you come to a cabinet particuliar with me?” He became radiant with anger. 55 <7> THE MANOR, 1349 They moved to the country manor in the autumn of 1349, when plague was still raging through the city. The Supper at Mr. To Ruth the thought of Hartford no longer projected upon her vision a city of spires and houses and tree-lined streets.
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